Friday, May 30, 2008

Robert Randolph

Currently on a summer jaunt opening for Eric Clapton, Robert Randolph tells Billboard.com there are plenty of new albums and tours in his mix.

First is the follow-up release to Randolph's 2006 effort "Colorblind." However, unlike his star-studded last album, the new disc -- which is produced by T-Bone Burnett, currently untitled and due out in September -- finds Randolph both figuratively and literally embracing his roots.

"We really always wanted to work with T-Bone, whose idea was just go back and try to get the roots of where we come from -- to try to do something really original that sounds good and sounds big and sounds energetic," Randolph says.

"So that's what we tried to accomplish, and by him hanging around Bob Dylan and doing the Robert Plant and Alison Krauss record, he just wanted to do something with me that people will look at as the kind of career-defining recording," he adds.

Among the new tracks already receiving stage time are the Sly &tThe Family Stone-esque "I'm Not Listening" and the gospel-tinged slow shuffle "I Still Belong." In addition, studio musician Doyle Bramhall contributes to the album, playing on a cover of John Lennon's "I Don't Want To Be a Soldier." The disc also features the Sacred Steel Tradition outfit from Randolph's New Jersey hometown House of God Church.

"I was able to pull in some of the older guys from my church," Randolph says. "That's where I got my pedal steel, lap steel playing from. So we kind of created this sort of 'Buena Vista Social Club' and 'O Brother, Where Art Thou' record."

Randolph, who is joining the late summer/early fall Music Builds tour with contemporary Christian artists Third Day, Switchfoot and Jars Of Clay, says he's enjoying his second go around as a Clapton opener.

Not only is he jamming with Slowhand on a nightly basis, but the two have discussed once again working together in the studio. While Clapton appeared on "Colorblind" for a cover of "Jesus Is Just Alright," it appears Randolph will be paying back the favor on the next Clapton studio effort.

Randolph says, "(Clapton) told me he's going back in the studio at the end of this year and he said he wants me to come in when he starts recording his record."

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Aerosmith

Aerosmith frontman Steven Tyler has made his first public statement after entering a rehab facility earlier this month.

According to Tyler, the move was necessary after a series of surgeries to correct long-standing foot injuries aggravated by years of physically taxing live performances.

"The doctors told me the pain in my feet could be corrected but it would require a few surgeries over time," Tyler says. "The 'foot repair' pain was intense, greater than I'd anticipated. The months of rehabilitative care and the painful strain of physical therapy were traumatic. I really needed a safe environment to recuperate where I could shut off my phone and get back on my feet."

Tyler says the situation will not affect Aerosmith's plans to record a new album and then hit the road for a supporting tour, although details and dates for either have yet to be announced.

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Usher

Usher has teamed with Sony Ericsson to become the face of the mobile phone maker's new Walkman music phone, which will be available later this year. The partnership covers the United States, Canada and European countries, according to Usher's publicist.

The campaign will allow music fans access to exclusive content, contests to meet Usher on a video shoot and the chance to win VIP tickets for the artist's North American tour later this year, which is sponsored by Sony Ericsson.

Fans will also be able to vote on what other band Usher will go on tour with. In addition, the phone will come loaded with Usher ringtones and full-album downloads.

Sony Ericsson will engage in joint marketing activities with AT&T, which is the exclusive wireless operator in the United States.

The campaign comes at the heels of Usher's fifth album, "Here I Stand," which was released Tuesday and is expected to debut next week at No. 1 on The Billboard 200.

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Wednesday, May 28, 2008

R. Kelly

A family friend of the alleged victim in the sex tape at the center of R. Kelly's child pornography trial testified today (May 27) that the young female in the videotape could have been about 12 or 13 years old at the time.

Tjada Burnett said she recognized the alleged victim by her "cheeks, her nose, her facial structure."

A childhood friend of the alleged victim also identified the young female as the person who prosecutors say was on the 27-minute tape, which they claim was made between Jan. 1, 1998, and Nov. 1, 2000. The say the young female in the tape was born in September 1984.

Kelly, 41, is charged with 14 counts of child pornography for allegedly videotaping himself having sex with an underage girl. He has pleaded not guilty and faces up to 15 years in prison if convicted.

Kelly's attorneys have said he is not on the tape, even noting that the singer has a mole on his back and that the man on the tape does not. Also, the alleged victim, now 23, has denied she is on the tape.


Under cross-examination, a defense attorney asked Burnett whether the alleged victim had braces at the time the tape was said to have been made and showed the jury a photo that appeared to show her wearing braces. The young female in the videotape did not appear to be wearing braces.

Burnett testified that the alleged victim had braces sometime between 1997 and 1999, but could not be more specific.

Kelly lawyers also accused Raven Gengler of lying to help the prosecution's case when she testified that she's certain the girl on the videotape was her friend. Gengler, 22, said she first saw the video after downloading it several years ago from an internet file-sharing site in 2001, after the tape had become the talk of her neighborhood.

"You know the difference between a truth and a lie. And you lied before, didn't you?" defense attorney Sam Adam Jr. said. "I'd never lie," Gengler replied, pulling nervously on her long hair.

The trial is in its second week of testimony. Within hours of their opening statements last week, prosecutors entered the black VHS tape into the record as "People's Exhibit No. 1" and played it in open court.

Last week, several witnesses, including a relative of the alleged victim, testified that they recognized her in the videotape.

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The Doors

Marking the 41st anniversary of the release of the Doors' classic self-titled album are several band-related projects already in shops and on the horizon. Tops on the list is an as-yet-untitled documentary that will chronicle the group's entire career.

"We have plans for a big Doors documentary film in the works," Doors keyboardist Ray Manzarek tells Billboard.com. "I saw the first cut of it yesterday, and it's looking real good. But that won't be out 'til another six months."

Although Manzarek is keeping a tight lip at the moment on specifics about the documentary, he did confirm that it would feature a large amount of rare footage. "Absolutely -- that's the whole point of it. Never before seen! This is the anti-Oliver Stone [referring to Stone's 1991 film, 'The Doors']. This will be the true story of the Doors."

Already out is a "Classic Albums" DVD from Eagle Rock that focuses on the Doors' aforementioned 1967 debut. "Everybody's there -- Densmore, Manzarek, Krieger, Bill Siddons, Bruce Botnick. It's very insightful," Manzarek says. Also interviewed for the DVD are longtime Doors fans Henry Rollins and Perry Farrell.

Another just-issued Doors release is the 16-track live CD, "Live in Pittsburgh 1970," via Rhino. Recorded on May 7, 1970, the album captures the group during its final U.S. tour with late singer Jim Morrison.

Manzarek is getting ready to hit the road for a European tour in July as part of Riders On The Storm, a group that also features ex-Doors guitarist Robbie Krieger (and former Fuel singer Brett Scallions).

The keyboardist also recently issued a collaborative CD with guitarist Roy Rogers, "Ballads Before the Rain," via Friday Music. "It's all-instrumental -- me playing the piano, and Roy playing some absolutely beautiful guitar. It's lovemaking music. It's 'a glass of white wine as the sun is setting' kind of music."

And lastly, Manzarek is working on several movie scripts. "I've got four scripts. So what, who doesn't have four scripts," he says with a laugh. "I've got a film script based on 'L.A. Woman,' and another one in which three UCLA film school guys go to the desert to take peyote with the Native Americans at the Native American Church."

"And they run into the people from the Native American Church -- the peyote church," he continues. "And all the sh*t that happens to them, you can imagine. Out in the desert, rednecks, psychic visions and reincarnation visions. Raymond White Eagle Daniels is the old wise man running the peyote ceremony. And that will of course never be made into a film, because it's about peyote [laughs]. It's a journey into manhood."

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Billy Corgan

The Smashing Pumpkins will celebrate their 20th anniversary with a handful of U.S. shows in August and September, according to the band's Web site.

Details have yet to be announced, but frontman Billy Corgan told Billboard.com in March the group would hit Chicago, New York and Los Angeles, among other locales, and that guests will appear at some of them.

Meanwhile, in a video interview with Artisan News, Corgan revealed that a DVD chronicling a summer 2007 residency at San Francisco's Fillmore is in the works. Also in the pipeline: the release of early Pumpkins demos and a new single in the fall.

"We're hoping to put out some early demos at the end of this year to start a rolling boxed set," Corgan told Billboard.com. "There's an audience out there that wants to hear the fourth show we ever did with the song we only did that one time. Maybe it's only 500 people, but maybe you find a way."

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Ne-Yo

Ne-Yo the artist is busy these days, touring with Alicia Keys and preparing for the Aug. 15 release of his third Def Jam album, "Year of the Gentleman." But Ne-Yo the songwriter is equally, with rash of high-profile tracks either just out or coming.

One surprising entry on his docket is an uptempo track called "Bossy" the he worked on with Stargate for Lindsay Lohan's next album. "I gotta admit, we were like ... Lindsay Lohan?'" Ne-Yo says with a laugh. "I mean, I've written for Beyonce, Mary J. Blige, Rihanna, Celine Dion and ... Lindsay Lohan? But I will say this; we gave her a quality record and she did a ridiculously fabulous job. I was so shocked I had to call her and apologize for what I was thinking because she did so good. I think the world is gonna be surprised."

Just out is the Ne-Yo-penned "Spotlight," the first single from ex-"American Idol" contestant and "Dreamgirls" Academy Award-winner Jennifer Hudson's self-titled debut, due in September. Ne-Yo says "they're still putting the (album) together right now" but that he's "really, really proud" that his song was chose to be its calling card.

"They were really trying to figure out where to take her," he explains. "The main issue with Jennifer Hudson is her voice is so huge, so how do you take that and radio-ize it, make it radio-friendly. She can't do ('And I Am Telling You I'm Not Going') every song 'cause you'll eventually be tired of it. So ('Spotlight') is kind of a classy midtempo, and I hope and pray it does well 'cause Jennifer is an amazing talent."

Ne-Yo also wrote for Leona Lewis' "Spirit" album and says he's "not surprised at all" by her success. "Her voice is incredible. She's beautiful. She kinda has all the ingredients to be a major star." He co-wrote the track "His Mistakes" for Usher's new album, "Here I Stand," and is happy that "I actually got to sit down wtih Usher and talk to him and see where his head is at now so I could write the right record."

As for the forthcoming Michael Jackson project he's been linked to, Ne-Yo says "there's nothing new. I'm submitting songs and I... still don't know anything about a release date or any of that."

Ne-Yo will be on the road with Keys through June 18 in New York.

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Monday, May 19, 2008

Christina Aguilera: Genie In A Bottle

"Genie In A Bottle"
I feel like I've been locked up tight
for a century of lonely nights
Waiting for someone to release me
You're licking your lips
And blowing kisses my way
But that don't mean I'm gonna give it away
Baby. Baby. baby (Baby ,baby, baby)

Bridge:
Ooh (my body is saying let's go)
Ooh (but my heart is saying no)

Chorus:
If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true
You gotta make a big impression
I gotta like what you do

I'm a genie in a bottle baby
You Gotta rub me the right way honey
I'm a genie in a bottle baby
Come, come, come on and let me out

The music's fading
The lights down low
Just one more dance
And then were gonna go
Waiting for someone
Who needs me
Hormones racing at the speed of light
But that don't mean it's gotta be tonight
Baby, baby, baby (baby, baby, baby)

Bridge:
Ooh (my body is saying let's go)
Ooh (but my heart is saying no)

Chorus:
If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle (I'm a genie in a bottle)
You gotta rub me the right way
If you wanna be with me (Ooh)
I can make your wish come true
(Wish come true...Woah)
Just come and set me free
And I'll be with you

I'm a genie in a bottle baby
You Gotta rub me the right way honey
I'm a genie in a bottle baby
Come, come, come on and let me out
I'm a genie in a bottle baby
You Gotta rub me the right way honey
(if you wanna be with me)
I'm a genie in a bottle baby
Come, come, come on and let me out

Bridge:
Ooh (my body is saying let's go)
Ooh (but my heart is saying no)

Chorus:
If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true (Ooh)
You gotta make a big impression
I gotta like what you do (Oh Yeah)

If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
(You gotta rub me the right way)
If you wanna be with me
I can make your wish come true
Just come and set me free baby
And I'll be with you

I'm a genie in a bottle baby
Come, come, come, on and let me out

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Metallica

Metallica (also known as The Black Album) is the 1991 self-titled 5th studio album by the American heavy metal band Metallica.

Metallica was released on August 12, 1991 through Elektra Records, and is the band's best-selling album to date, with 15 million copies sold in the United States alone as of 2007 and 22 million copies worldwide. As of April 16th 2008, the album has sold 15,143,895 copies in the US.

On the cover, only the band's logo and a coiled snake (derived from the Gadsden flag) are visible. The motto of the Gadsden flag, "Don't Tread on Me", is also the title of a song featured on the album.

Metallica DVD-Audio 5.1 mix was released in 2004 through Elektra Records.

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Sunday, May 18, 2008

Scarlett Johansson

Universally known as one of the sexiest women in Hollywood, Scarlett Johansson has actually been acting professionally since the age of eight. A native of New York City, where she was born on November 22, 1984, Johansson was raised -- along with her twin brother -- as the youngest of four children, and she developed an interest in acting at the age of three. After enrolling in classes at the Lee Strasberg Theatre Institute for Young People, she made her stage debut opposite Ethan Hawke in the off-Broadway production of Sophistry. Her film debut followed in 1994, when she had a supporting role in North, and she subsequently appeared in the little-seen Just Cause (1995) and If Lucy Fell (1996).

Johansson had her first significant screen breakthrough with her role as one of two orphaned teenaged sisters in Manny & Lo (1996), a coming-of-age drama directed by Lisa Krueger. Johansson, who shared the screen with Aleksa Palladino and Mary Kay Place, earned an Independent Spirit Award Best Actress nomination for her work in the film, and she soon found herself being tapped by Robert Redford to star as Kristin Scott Thomas' daughter in The Horse Whisperer (1998). Although the film met with a very mixed reception, Johansson was widely praised for her portrayal of a girl who loses her leg and her best friend in a horrific accident.

In 2000, the actress signed on to play one of the heroines (alongside Thora Birch) of Terry Zwigoff's screen adaptation of Ghost World, Daniel Clowes' celebrated comic about the adventures of two teen girls grappling with post-high school life. That same year, she starred in American Rhapsody, in which she portrayed a young girl who escapes communist Hungary in the 1950s and travels to the U.S.

Though she would take a brief detour into camp with the 2002 giant spider fiasco Eight Legged Freaks, the respect Johansson had gained in the film industry as a result of her previous dramatic roles found the young actress in high demand among indie directors while quickly catching the eye of the Hollywood elite. With Sofia Coppola's Lost in Translation, Johansson's touching performance as a young girl who strikes a tentative friendship with a washed-up American actor (memorably portrayed by Bill Murray) left no doubts regarding her dramatic skills, and although a Best Actress Oscar nomination eluded her, she received a boatload of nods from critics' groups and the Golden Globes. The rising starlet was soon cast in the lead of such subsequent films as The Girl with the Pearl Earring (2003) and The Perfect Score (2003).

After sticking to form in 2004 with roles in In Good Company and A Love Song for Bobby Long, Johansson took her first stab at a lead role in a big budget Hollywood flick, starring opposite Ewan MacGregor in Michael Bay's futuristic actioner The Island. While the picture was panned by critics and avoided by audiences, it did nothing to slow the young star down. She closed out the year by receiving virtually unanimous praise for her performance in Woody Allen's Match Point.

She immediately reteamed with Allen, who was full of praise for the young actress after their first collaboration, for the supernatural comedy/murder mystery Scoop in 2006. That same year she played a pivotal role in Robert De Palma's adaptation of The Black Dahlia, while also filming an adaptation of The Nanny Diaries with Laura Linney and Paul Giamatti.

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Liv Tyler

the business (an inheritance from father Steven Tyler), Liv Tyler unsurprisingly made her entrance into acting via the world of modeling. Since her breakthrough role in 1996's Stealing Beauty, she has emerged as a performer with bona fide talent, dropping her "model-actress" hyphenate in favor of just "actress."

Born in Portland, ME, on July 1, 1977, to model and former 1970s rock groupie Bebe Buell, Tyler spent most of her youth believing that rocker Todd Rundgren was her father. However, as she grew older, she began to notice more than a passing resemblance between herself and Aerosmith frontman Steven Tyler, who was a family friend, and she ultimately discovered that he was indeed her biological father. When she was 12, she took Tyler's last name as her own.

After experiencing obligatory preteen awkwardness -- hers featured braces and a bit of a weight problem -- Tyler had blossomed enough by the time she was 14 to consider modeling. She moved to New York City in the company of her mother and began to pursue a career. After appearing on the covers of magazines like Seventeen and Mirabella, Tyler got her first taste of acting while filming a television commercial. She made her film debut in 1994, as the sister of an autistic boy in Bruce Beresford's Silent Fall, appearing in the mystery alongside Richard Dreyfuss and Linda Hamilton.

Following this fairly auspicious debut, Tyler's next project, 1995's Empire Records, proved a disappointment on both commercial and critical levels. Tyler kept at it, next starring as the unrequited love interest of a reclusive pizza maker (Pruitt Taylor Vince) in James Mangold's Heavy that same year. Her work in the critically hailed film won her wide praise and her career began to take off. Tyler's breakthrough came the following year in Bernardo Bertolucci's Stealing Beauty. Starring as a 19-year-old who comes to Italy to find her father and lose her virginity, she suddenly became Hollywood's new "It" Girl, appearing on magazine covers and as one of People's "50 Most Beautiful" in 1997.

After a lead as one of the titular Abbott sisters in Inventing the Abbotts (1997) and a brief cameo in U-Turn the same year, Tyler stepped into the realm of bloated budgets and even more bloated box-office returns with her role as Bruce Willis' daughter and Ben Affleck's girlfriend in Armageddon (1998). The following year, she returned to the art house circuit with Robert Altman's Cookie's Fortune. The film was widely praised, as was its ensemble cast, which included Tyler, Glenn Close, Julianne Moore, Charles S. Dutton, Chris O'Donnell, and Ned Beatty. The same year, Tyler lent her talents to the 18th century road movie genre, starring opposite Robert Carlyle and Jonny Lee Miller in Plunkett and Macleane. She also had a leading role as the object of Ralph Fiennes' jaded affections in Martha Fiennes' Onegin, which premiered at the Toronto Film Festival.

After taking the role of an irresistibly destructive seductress in the 2001 comedy One Night at McCool's, Tyler took another trip back in time, this time putting her pixyish beauty to ideal use as Arwen, an elf faced with the daunting dilemma of choosing between love and immortality in director Peter Jackson's grandiose, three-film adaptation of J.R.R. Tolken's Lord of the Rings.

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Patrick Swayze

An athlete practically from birth, Patrick Swayze was a football player in high school and then earned a gymnastics scholarship to pay for college. His father had been a dancer/choreographer, and Swayze began to study dance early on, eventually working with the prestigious Harkness and Joffrey Ballet companies. He made his professional debut as a dancer with the lead role of Prince Charming in a traveling company of Disney on Parade, but an old knee injury from his football days threatened to cut his dancing career short at any moment. Hedging his bets, Swayze opened his repertoire up to acting as well. He made the transition to Broadway, landing the role of Danny in the hit Broadway musical Grease before heading to Los Angeles to make yet another transition - this time to the screen. Swayze cut his teeth on TV guest appearances, scoring a memorable role as dying soldier in an episode of M*A*S*H. Finally, he got a role in Francis Ford Coppola's youth ensemble film The Outsiders (1983), a film of massive critical acclaim and box-office success. Steadily continuing his upward trajectory, he followed up The Outsiders with the Cold War classic Red Dawn (1984) and with the Civil War TV miniseries North and South (1985). His real big break came in 1987, however, with a starring role in the hit Dirty Dancing. The film gave Swayze the chance to showcase both his acting and dancing abilities and, additionally, he wrote and performed one of the film's songs, "She's Like the Wind," which went on to become a major hit. The role made Swayze an undisputed star, and he scored big again with a tough-guy role in the movie Road House, as well as the romantic lead in the supernatural drama Ghost (1990) - a box-office smash that ended up grossing more than 200 million dollars. The '90s had started out for Swayze with a bang, but with so much of his success wrapped up in the films of the 1980s, the actor soon found himself fighting against the mentality that he was out of date. He found iconic roles like surfer Bodhi in the police thriller Point Break and even played a drag queen in 1995's To Wong Foo, Thanks for Everything! Julie Newmar, but transitioning into the next phase of his career proved challenging. In 2001, Swayze found a film to help him facilitate this change with the role of self-help guru Jim Cunningham in the dark mystery drama Donnie Darko. There was an element of self-parody in Swayze's portrayal of the uber-positive, clean-cut Cunningham, and audiences found the role refreshing. He continued to pick up projects as they appealed to him, appearing in everything from the romantic drama One Last Dance to the quirky British comedy Keeping Mum.

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Avril Lavigne: critic's review

Talk about pressure -- being under 21 and having a record deal no longer qualifies as extraordinary. And as mass-produced teen pop makes its exit and a glut of young singer/songwriters enter, child prodigies no longer have built-in marketing appeal. So if newcomer, 17-year-old Avril Lavigne truly wants to be "Anything but Ordinary," as she sings on her debut album, Let Go, she'll have to dig deeper. Luckily for Lavigne, aside from youth, she does have talent. Her debut runs the gamut from driving rock numbers like "Losing Grip" -- where Lavigne shows off her vocal range, powering into the anger-fueled, explosive rock chorus -- to singer/songwriter pop tunes like "My World," where Lavigne fills listeners in on the past 17 years of her life. Lavigne handles a variety of styles deftly, but she still has some growing up to do lyrically. "Sk8er Boi" has a terrific power pop bounce, but shows her lyrical shortcomings: "He was a punk/She did ballet/What more can I say" -- a lot. The phrasing is awkward and sometimes silly: "It's funny when you think it's gonna work out/Till you chose weed over me you're so lame," she sings on "Too Much to Ask." Not surprisingly, the standout track is the first single, "Complicated," a gem of a pop/rock tune with a killer chorus. But listen carefully and you'll realize that "Complicated"'s sing-song melody borrows just enough from Pink's "Don't Let Me Get Me" to make it familiar and likeable. Nonetheless, the song is a knockout radio hit. Lavigne, a self-professed skater punk and labelmate of Pink, shares her "Take Me As I Am" credo as well. And that said, it's hard not to look at this record, executive produced by Arista label head Antonio "L.A." Reid, who is thanked by Lavigne for allowing "me to be myself," and feel cynical about the music industry's willingness to reproduce a hit over and over. Lavigne, however, is a capable songwriter with vocal chops, and at her age, one imagines, she is still finding her feet, borrowing from the music she's grown up listening to. The problem is Lavigne is still so young she's listening to the radio hits of the '90s and early 2000s: she's Pink when she's bucking authority, Alanis Morissette when she's angry, and Jewel when she's sensitive. Let Go shows promise, but the question is whether Lavigne and only Lavigne will shine through on her next effort.

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Avril Lavigne

Avril Lavigne first appeared in summer 2002, touting an addictive debut single (the spunky pop/rock gem "Complicated") and a skatepunk image that purposely clashed with thepolished glamour of mainstream pop. Lavigne, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. As the decade progressed, so did Lavigne's marketable sound, which took a contemplative turn on the sophomore effort Under My Skin before reaching an aggressively upbeat tone for 2007's The Best Damn Thing.

Born into a devout Christian household in the small town of Napanee, Ontario, Lavigne sharpened her vocal talents in church choirs, local festivals, and county fairs. She began playing guitar and writing songs in her early teens, focusing her early efforts on country music and contributing vocals to several albums by local folk musician Steve Medd. Arista Records caught wind of the singer and brought her aboard at the age of 16, with CEO Antonio "L.A." Reid personally taking Lavigne under his wing. She quit high school, relocated to Manhattan, and set to work with a handful of prime songwriters and producers, but the partnerships only produced country songs -- not the rock music in which Lavigne had become increasingly interested. Arista relented and instead sent Lavigne to Los Angeles, where she fashioned her melodic, edgy debut alongside such writing teams as the Matrix. Released in 2002, Let Go was the polished product, and its four high-charting singles -- "Complicated," "Sk8er Boi," "I'm with You," and "Losing Grip" -- led the album to multi-platinum status within its second month of release. Lavigne became the youngest female musician ever to have a number one album in the U.K., and she supported the wildly popular disc (which eventually gained eight Grammy nominations) with a tour of Europe, Asia, North America, and Australia.

Compared with the skin-bearing antics of other teen idols - Britney Spears chief among them -- Avril Lavigne was a new kind of superstar, one whose appeal didn't rely on sexy videos or suggestive music. She further distinguished herself by bypassing the assistance of professional writing teams during the creation of her second album, choosing instead to collaborate with singer/songwriter Chantal Kreviazuk, Evanescence's Ben Moody, and Evan Taubenfeld (who had previously worked with Lavigne as her touring guitarist). Released in May 2004, Under My Skin was more serious than its predecessor, dealing with such issues as premarital sex ("Don't Tell Me"), depression ("Nobody's Home"), and the death of Lavigne's grandfather ("Slipped Away"). The album debuted at number one in more than ten countries, went platinum within one month, and further established Lavigne as a pop icon. Incidentally, a song that was co-written by Lavigne and ultimately cut from the final track list - "Breakaway" - was later given to Kelly Clarkson, who used it as the title track and leadoff single for her Grammy-winning sophomore album.

Lavigne married her boyfriend of two years, Sum 41's Deryck Whibley, in July 2006, just one month after the animated film Over the Hedge announced her cinematic debut (Lavigne voiced the part of Heather, a hungry opossum). She also appeared in Richard Linklater's fictional adaptation of Fast Food Nation, which was released that November. Nevertheless, she spent most of the year working on her third album, enlisting former blink-182 drummer Travis Barker to play drums and cherry-picking a variety of producers (including her husband) to helm the recording sessions. The Best Damn Thing appeared in April 2007, and its leadoff single, "Girlfriend," marked a return to the bratty, spunky punk-pop of her first album. "Girlfriend" soon became the subject of controversy as the '70s power pop band the Rubinoos sued Lavigne, claiming that her tune reworked their 1979 song "I Wanna Be Your Boyfriend." No amount of bad publicity could hurt the singer, however, as "Girlfriend" became her biggest U.S. single ever and The Best Damn Thing topped album charts worldwide.

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Mariah Carey

Mariah Carey has been pop's queen - the real queen - for nearly 20 years, and she's not giving up the throne. But at M.C.'s lavish Caribbean birthday bash, Shanel Odum witnesses the record-shattering diva in all her glory: Calm, cool, and damn-near naked.

Eagle's Landing, Jumby Bay, Antigua
2 P.M. The heavens above Antigua are as smooth and playful as a handful of cobalt marbles. But on the island below, a frenzy is brewing. Mariah Carey's $12,500-a-night villa on the 300-acre tropical island is alive - almost antsy - with anticipation. Rob Payne, her stone-faced bodyguard, slips into a cotton tee as he escorts a lipstick-toting assistant into the ballroom-size living room, where a video crew is gingerly unpacking.
"Absolutely no one can go through those doors there," booms Payne, who's built like an All-Pro defensive end. "That's Mariah's bedroom. And smokers better light up in the front yard - she'll have a fit if she smells cigarettes!" A gang of hairstylists, fashion assistants, photographers, and makeup artists race around the open-air bungalow, each on their own mission to please. Almost everyone else in the all-but-humble abode frantically taps away at a MacBook, BlackBerry, or iPhone.
Then, disaster strikes. The manicurist is missing. But there's no it's-my-party-and-I'll-bitch-if-I-want-to tantrum from the illustrious pop icon. The bluster is coming from a couple of men. It's Benny Medina, Mariah's longtime ьber-manager (the man known for his super-successful, hands-on approach with clients Jennifer Lopez, Usher, and Tyra Banks), and Michael Richardson, her dapper, Cockney-spouting tour manager. They're both outraged by the potential beauty crisis.
"If this slows us up," Medina roars, sporting a pink Polo and matching shorts, "I'm going to get really upset." While waiting for Carey for more than 90 minutes, the resort's lone manicurist bounced. "Wehw, wot villa is she in, den?" demands Richardson in a thick British accent. He whips out his cell and makes the necessary heads roll.
It's still early and the estate is already in a state of chaos. The Grammy winner? The diva? The sex symbol? She sleeps through the whole thing. Somewhere on the same island, a very tan Paul McCartney strolls lazily across the starfish-studded beach. The 65-year-old Beatle has retired from hitmaking, but continues to hold the title - along with the rest of his iconic English pop band - for the most No. 1 singles on Billboard's Hot 100. With 20 chart-toppers, The Beatles hold the only record left for Mariah to shatter. This spring she skated past Elvis Presley with "Touch My Body", her 18th No. 1 single.
But it hasn't been all stardust and rainbows for Mariah. In 2001, what was supposed to be her film breakout, Glitter (20th Century Fox), fizzled. That was followed by a well-publicized 2001 breakdown on the set of MTV's TRL. Who could forget the strip tease? And the ice cream cart?
Then came liberation. Her last album, The Emancipation of Mimi (Island, 2005), sold nearly six million copies. It was that kinetic endeavor that helped Mariah reclaim fans that had dismissed her as a casualty of her own ambition. Continuing in the same triumphant vein, E=MC2, aka Emancipation Equals Mariah Carey to the Second Power (Island), her 11th studio album, is a beautifully addictive lesson in dichotomy. Her claims of deliverance and growth have merit, but the butterfly-obsessed star still vacations in Neverland. The Mariah- and Swizz Beatz-produced "O.O.C." - as in "Out Of Control" - proves she hasn't lost touch with her youthful spirit. The song is bursting with instant messenger acronyms. "Side Effects" shows a deeper side of Mimi: Candidly detailing the aftermath of her tumultuous marriage to Sony Music bossman Tommy Mottola, she paints the picture of a woman stung by real heartbreak. Though she's sacrificed her famed vocal acrobatics - dolphins are still the only mammals that can top her five-octave range - for a greater pop presence, her limber tone and midrange belting work better with the album's synth-heavy beats and tickling treble. If anything, Mariah is the ultimate chameleon. She's evolved from sweet, soul-stirring ballads to booming hip hop hooks; from floor-skirting gowns to hot shorts and patent pumps. And most recently, to the Pistol Panties bikini she's rocking - with confidence - today.
5 P.M. The afternoon turns to evening, and a twister descends on Eagle's Landing. The cyclone hits the beach in a blur of blush brushes, hair spritz, and double-sided tape. Even the manicurist has returned, but only to remain on-call. She doesn't paint even one of Mariah's digits. So much drama, so little action. Every few moments, there's a glimpse of the eye of the storm - it's Mariah, emancipated. The 5-foot-9 mirage prances past the overly attentive pack and heads toward a rickety boardwalk, which instantly transforms into her runway. A magenta silk robe whips against those endless, copper legs; black Christian Louboutin heels stab the sand; a wild halo of corkscrew curls flies...
"Can we get some towels and a Diet Coke ASAP?" Medina demands for his artist, to no one in particular. The throng of attendants freeze in their tracks, eyes darting nervously from one person to the next, afraid to abandon their assigned duties but more afraid to disobey. After some confused stares, Mariah's longtime personal assistant Melissa Ruderman, races off to fetch the items.
At the end of the petite dock, Mariah breezily tiptoes through a knot of rocket wires as technicians - hired to prep the evening's fireworks display in honor of M.C.'s 38th birthday - pace anxiously. Their hand-wringing and panicked warnings float out to sea, unheeded by the singer. She's too busy hamming it up as if she were on a tightrope, occasionally grabbing at her manager's outstretched arm. Even traipsing across a minefield of pyrotechnics. Mariah is perfectly poised. Delicate. Dainty. Ultra femme. Constantly aware of how she looks, she makes sure a wisp of hair is swept across her forehead. She's rarely caught tilting her head to the right - the right's her best side.
"I'm That Chick" - a swinging future single from E=MC2 - drifts above the photographers' encouraging banter, and everyone's feeling it. As the album flows seamlessly from dance track to love song, Mariah sways to the sound of her own voice. She doesn't need for this record to be a smash, but it inevitably will be. She'll stay relevant. She'll stay rich. She's that chick.
As she perches on a sharp formation of rocks, Medina simultaneously tends to her dangling sandal and regulates minutiae. "Can we get more volume in her hair?" "Robe, please!" "Give me more eyes, Mariah..."
For the next setup, she saunters through the water in a bronze Ashley Paige one-piece and a pair of 4-inch heels, grinning like a pageant contestant. Miss Mimi perpetually flirts with an imaginary audience and doesn't stop winking, pouting, and writhing in the waves even for a moment. Even without an ogling entourage. Even when the photographer takes a break to change his flash. She rarely stops hip-popping and sashaying. And she looks damn good doing it.
"I'm getting really nervous about the overhead lighting," she raspily purrs, glancing down at her washboard abs. "My tummy... can I get some lighting from underneath instead, please?" There are a few final flashes, followed by revelry from the crew. The shoot wraps, and party time is about to begin.
After tying a tiny, white button-up above her belly button, a chrome-colored, American Apparel bikini becomes Mariah's birthday suit. By now, she's a real-life Malibu Barbie, and one very few going-on-40-year-olds who can get away with rocking a belly chain and a gemstone butterfly appliquй on the small of her back. Her record weight loss is undeniable - Mariah is clearly more sculpted than scalpeled. But it's not just her blow-up doll aesthetic; it's her unapologetically larger-than-lush lifestyle - and M.C.'s B-day is no exception.
7:30 P.M. Mariah Carey's 38th birthday banquet is a Sweet 16 dream. Beckoning palms welcome guests to the entrance of the veranda, where a spouting stone fountain sits on Moroccan tile. The scene inside is a strawberry-frosted pubescent fantasy; purple, pink, and white balloons dance in the balmy Caribbean breeze floating through the spacious flat. Fuchsia feather boas drip from the arms of every chair. Kitschy gold crowns, tiaras, and noisemakers adorn each place setting. French doors are slung open to frame a cascading infinite pool that overlooks the Caribbean sea a dive's length away. This is how a superstar does her born day.
In the Mediterranean-style kitchen, a culinary crew decked in freshly pressed coats and stark white chef's caps are prepping pots. The scent of roast chicken waltzes in the wind. And then Mariah's posse begins to appear. Longtime confidante Shawntae "Da Brat" Harris breezes past, swimming in oversized jeans, a red tee, and a bandana over bead-studded braids. Recent acquaintance/music video director ("Bye Bye") Nick Cannon grabs his laptop and goes to the buffet to fix a plate. As her guests fawn, Mariah drifts from friend to friend, beaming and blowing kisses.
Suddenly, the sounds of silverware clinking and Perrier hissing are interrupted by a pop. Louis Roederer Cristal - not calorie-packed hard liquor, mind you - is served by a staff of three. Outstretched flutes salute the birthday girl as her nephew Shawn McDonald, 30, an attorney, delivers an eloquent toast. He salutes her generosity - Mariah paid for his Cornell undergrad and Harvard Law education. According to McDonald, Mariah's real beauty - the side she protects from the paparazzi - can't be photographed. "She's more like a sister to me," he says, as they clutch each other affectionately. The intimate party lets out a chorus of awwws.
As soon as McDonald finishes his speech, the sky erupts in a fiery pink explosion, a dazzling fireworks display. Someone in the small crowd shrieks in surprise - but not Mariah. She's peacefully sipping on a glass of champagne. She seems high on life. It's just another day for the birthday girl. Everything's a production - for her entourage. Like the pink conflagration overhead, Mariah fits and floats above it, unscathed by the pandemonium.

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Dolly Parton

Dolly Rebecca Parton was born on January 19, 1946, one of 12 children of Robert Lee Parton, a tobacco farmer, and Avie Lee Parton (née Owens). Dolly grew up on a run-down farm in Locust Ridge, TN. At 12, she was appearing on Knoxville TV and, at 13, she was already recording on a small label and appearing at the Grand Ole Opry. After graduating from high school in Sevier County, Tennessee, in 1964, she moved to Nashville to launch her career as a country singer. She fell in love with Carl Dean, who ran an asphalt-paving business; they got married on May 30, 1966 (and they are still together). The next year, Dolly's singing caught the attention of Porter Wagoner. He hired Dolly to appear on his program, "The Porter Wagoner Show" (1960). Dolly stayed with the show for 7 years, their duets became famous, and she appeared with his group at the Grand Ole Opry; she also toured and sold records. By the time her hit "Joshua" reached #1 in 1970, her fame had overshadowed Porter's, and she struck out on her own, though still recording duets with him. She left him for good to become a solo artist in 1974. Dolly gained immense popularity as a singer/songwriter. Dolly won numerous Country Music Association awards (1968, 1970, 1971, 1975, 1976). This petite (5'0") beauty was a natural for television and, by the mid-1970s, Dolly was appearing frequently on TV specials and talk shows. Dolly then got her own show, aptly titled "Dolly" (1976). In 1977, Dolly got her first Grammy award: Best Female Country Vocal Performance, for her song "Here You Come Again". Dolly's movie debut was in Nine to Five (1980), where she got an Oscar nomination for writing the title tune, and also Grammy awards 2 and 3, Best Country Song, and Best Female Country Vocal Performance for _"Nine to Five". Dolly got more fame for appearing in The Best Little Whorehouse in Texas (1982), and in Rhinestone (1984) with the song "Tennessee Homesick Blues". She is the head of Dolly Parton Enterprises, a $100 million media empire, and, in 1986, she founded Dollywood, a theme park in Pigeon Forge, Tennessee, celebrating her Smokey Mountain upbringing. She appeared as herself in the "Dolly" (1987) TV series. In 1988, she won another Grammy award: Best Country Performance Duo or Group with Vocals, for "Trio". Dolly was in the acclaimed picture Steel Magnolias (1989) with Julia Roberts, and went on to appear in 15 movies and TV-movies for the 1990s, and of course garnered more Country Music Association awards. In 2000, Dolly received her 5th Grammy award: Best Country Collaboration with Vocals. She also released a Bluegrass Album. Dolly is known for beautiful songs such as "Coat of Many Colors" and "Jolene" and "I Will Always Love You". Dolly said in an interview, "My music is what took me everywhere I've been and everywhere I will go. It's my greatest love. I can't abandon it. I'll always keep making records".

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Lil' Wayne's Mac & Cheese Recipe

Britney Spears

Britney Spears glows with health on a beach break at Mel Gibson's Costa Rican ranch.
Britney Spears looks fit and healthy as she relaxes on a beach – and shows she is putting her troubles behind her.

The singer appeared rounded and happy in a bikini as she took a much-needed break after a turbulent time when drink and drugs binges led to her being sectioned.

Britney had been through a period of increasingly erratic behaviour due to her bitter custody battle with her ex-husband Kevin Federline over her sons, Sean Preston, two, and 20-month-old Jayden James.

She famously shaved off her hair, then in January held the boys hostage in a stand-off with authorities at her Los Angeles home.

A psychiatrist is thought to have treated her for bipolar disorder.

But last week, a judge granted her the right to spend three days a week with her sons under supervision.

But, sadly, Britney's troubles are not over.

There are reports a sex tape of her and British photographer Adnan Ghalib, 35, is about to be released.

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Wiley

This is the only non-official Wiley page. You will be able to get updates about what is going on with Eskibeat Recordings and Wiley, as well as exclusive audio, pictures and video footage as the new album and other future projects come together.

Wiley is one of the original founders of what is now known as 'Grime' music. Traversing from the massive Pay As U Go Cartel to start up his own crew with the Roll Deep Entourage. His debut album 'Treddin On Thin Ice', released through XL, brought his unique "Eski beat" sound to the world and has cememnted him as one of the most innovative producers ever in British electronic music. Co-producer on the certified Silver selling 'In At The Deep End' LP from Roll Deep showed a versatility to not only his lyrical content but also his musical sound.

Arguably the most influencial musician from Grime's spiritual home of Bow E3, Wiley has been either directly responsible for or indirectly influenced the careers of nearly every artist to come through the scene. Either producing beats for or nurturing younger talent like Tinchy Stryder, JME, Skepta, Doctor, Jammer and most notably Dizzee Rascal, or being involved in memorable clashes with sparring partners such as Lethal B, Kano, Durrty Goodz, Sharky Major, Bashy and Nasty Jack, Wiley has influenced a large number of talented individuals who have gone on to make their mark in the Grime scene. Legendary as both an MC and a Producer, and starting off as a DJ, Wiley is one of a few individuals who can be honestly described as excelling in many different areas of music.

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Ashlee Simpson

Don't be surprised to find Ashlee Simpson and Pete Wentz grinning Cheshire cats — they're newlyweds.

The pop-star little sis of Jessica Simpson and the Fall Out Boy bassist tied the knot Saturday night at her parents' Los Angeles-area home with an "Alice in Wonderland" theme, according to People magazine.

Simpson, 23, and Wentz, 28, exchanged vows at the property in Encino, a bedroom community in the San Fernando Valley. Joe Simpson, her father, performed the non-denominational ceremony and sister Jessica was the maid of honor, the magazine said.

People also reported Saturday that the couple is expecting a child together, which both Simpson and Wentz have long denied.

Rumors began to fly midweek that the wedding was on, and things got curiouser from there.

A flurry of arrangements on Saturday afternoon just outside the guarded gates of the Simpson's property indicated that the pop singer's wedding to Wentz was imminent. White shuttle vans with deeply tinted windows were streaming through the gates, as were several delivery vehicles.

Drivers of a few expensive cars who arrived at the guard tower were told to park elsewhere and take a shuttle. One was a well-dressed woman who arrived in an Audi packed with red boxes.

And of course, the paparazzi had been gathering before 3 p.m., lingering outside the property. Aerial photos posted online Friday on several celebrity Web sites appeared to show an outcropping of large white party tents.

Simpson and Wentz began dating in fall 2006 and announced their engagement April 9.

Ashlee Simpson's latest album, "Bittersweet World," was released last month. It peaked at No. 4 on the Billboard 200 in its first week, and tracks have logged more than 19 million plays on her MySpace page.

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Saturday, May 17, 2008

Dave Matthews Band

The Dave Matthews Band is emphasizing the "band" part of its equation on the group's next album. "It literally was a collaborative effort from beginning to end," violinist Boyd Tinsley tells Billboard.com. "Every song was written by everybody at the same time -- we've never really done that before."

"We all got together and played and got these ideas, and we'd all work through building these songs all together," he continues. "Everybody's just really excited about it. That's why I say it sounds very much like DMB. It couldn't be more purely DMB than what it is."

But the album, DMB's first since 2005's chart-topping "Stand Up," is a long way from done. The group, along with guitarist Tim Reynolds and producer Rob Cavallo, got together early in the year in Charlottesville, Va., to start working on ideas, then in March continued in Seattle to be closer to Matthews' home.

Tinsley says the songs have been composed and are now waiting for Matthews to write lyrics, with a plan to return to the studio after the group comes off the road in early September.

Tinsley says the music "sounds very much like DMB, but like songs you've never heard before." He says the "vibe, the whole mood of the songs" reminds him of album such as "Under the Table and Dreaming," "Crash" and "Before These Crowded Streets" but "coming from an entirely different direction" and benefiting from having Reynolds' guitar back in the mix for the first time since "...Crowded Streets."

"Tim just sort of expands upon things," Tinsley explains. "He's such an amazing musician. [He] adds this quality to the music that opens it up."

The new songs are still in such an unfinished form, however, that Tinsley isn't sure if any of them will be debuted during DMB's extensive summer tour, which begins May 30 in Burgettstown, Pa., and runs through Sept. 10 at New York's Madison Square Garden.

"It might be a situation where we might take a couple of those in rehearsals and in sound checks and sort of work out arrangements to play this summer," he says. "We haven't really discussed that too much. That's the sort of thing that really comes spontaneously when we get together."

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Thursday, May 15, 2008

Pete Doherty

Pete Doherty is more focused than ever following his recent stint behind bars, according to Babyshambles drummer Adam Ficek.

The singer was sentenced to three and a half months in jail on 8 April for missing court appointments and using drugs while on probation.

He was released on May 6 after serving 29 days.

Ficek told Newsbeat that Doherty had been pulling the band in for rehearsals every day since his release to prepare for their comeback show which took place at the London Forum on Tuesday night.

"We drove up to his house and saw him and he was really on good form," the drummer said.

"He seemed really focused. He came out of there really knowing what he wanted to achieve and it was him that was calling for rehearsals.

"He was saying, 'Right we have got to rehearse every day, make a new song every day to get ready for the Forum.' So all respect to him for that. He's had some time to think in there and he's back on his game."

Ficek revealed that Doherty wrote several new songs in prison and the band are hoping to showcase a host of them at the London gig.

"He's so prolific I think he always writes, it's just that he had a pen and paper in there," he said.

"He's been throwing songs at us left, right and centre since he came out. We have six or seven songs banding about so we're hoping they will make an appearance. There's a song called The Natives At The Gates Of Rome which has a tribal lilting feel to it."

He added: "It is always a concern it will happen again. In his mind he always wants to stay focused and clean and free from all those problems but as anyone knows who has dealings with anyone who has addiction problems, it is sincere when they say that but there are times when they are going to fall.

"Unfortunately Peter is in the position where wherever he does fall people are in the position to take a photo or have a kick at him when he's on the floor.

"But his pledge is always to remain on the straight and narrow. It is up to us and the people around him to try and maintain that integrity and keep him on that good path."

Babyshambles are due to follow up their London gig with two further shows at the Manchester Academy on 17 May and Glasgow Barrowlands on 19 May.

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Fearne Cotton

Radio 1 DJ Fearne Cotton arrives at the Sony Radio Academy Awards ceremony in London. Her Radio 1 colleague Chris Moyles collected the prize for best breakfast show.

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Wednesday, May 14, 2008

Radiohead

Iconic U.K. rockers Radiohead played the third show of its 2008 U.S. tour Thursday (May 8) just outside of Atlanta, exhibiting confidence and restraint while enthralling a sold-out crowd. The show leaned heavily on material from their seventh album "In Rainbows," released last year, and the setlist illuminated just how far the band has come a decade after the release of its breakthrough album, "OK Computer."

At the time of that album's release, toward the end of last century, Radiohead would soon be regarded by some as geniuses with an avant-garde masterpiece. In the eleven years since, the band has released several records -- including "Kid A" in 2000 and 2001's "Amnesiac" and 2004's "Hail to the Thief" -- and has shaken off any easy descriptive tags to become a true career rock band with plenty of staying power.

Illustrative of that fact is how many of the band's best-known songs were left out of Thursday's set list. Omitting 1993 mega-hit "Creep" off the docket was no big issue, but what about fan favorites "My Iron Lung," "Street Spirit (Fade Out)," "Karma Police," "Morning Bell," "Knives Out" or "Myxomatosis"? Well, there's just no room for everything anymore.

Even "Jigsaw Falling Into Place," the first single from "In Rainbows," was curiously missing. Instead, the band presented fervent versions of every other song from the new record, and even tossed in the manic, percussive "Bangers and Mash," released on the expanded "Discbox" collector's edition of "In Rainbows."

Electric columns descended across the stage, flashing multicolored lights throughout the show (perhaps to provide the appearance of the band actually playing "in rainbows") and a segmented video screen showed close-ups of the band members.

"All I Need" started things off in a relaxed mood. After frontman Thom Yorke played piano on the song's coda, roadies wheeled away the piano and replaced it with a pair of miniature drum kits for guitarists Jonny Greenwood and Ed O'Brien to begin building the relentless polyrhythmic beat of "There There." The rhythm-centered songs ("15 Step," "Idiotheque") received some the most energetic reactions from the crowd, Yorke often dancing like a dervish and inspiring similar behavior from his audience.

Atmospheric ballads like "Nude" and "Pyramid Song" were no less captivating as bassist Colin Greenwood and drummer Phil Selway kept the beat while Greenwood's multitalented brother Jonny hopped from guitar to any number of electronic instruments, filling out the songs with keyboard flourishes and esoteric snippets.

After a 17-song main set, the group returned to the stage for the first of two encores, presenting an eclectic mix of songs that included the off-kilter, bass-heavy "The Gloaming," mid-'90s b-side "Talk Show Host" and the evocative, undulating "How to Disappear Completely." Resounding applause brought the band back out for a two-song farewell during which the epic "OK Computer" rocker "Paranoid Android" was unearthed. The night was finish off with a meditative take on the new track "House of Cards."

Radiohead's music may not seem as world-changing as it might have 10 years ago, but the band's expansive, mature catalog has more entertainment value than ever before. The quintet is easily one of the most creative, original bands that can fill modern amphitheaters, and on a school night in Atlanta, it's hard to imagine the rock getting any better than this.

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Madonna

Hot Shot Debuts: Madonna puts the "hot" in Hot Shot Debut this week as the diva scores her seventh Billboard 200 No. 1 with "Hard Candy." The feat breaks a tie with Janet Jackson and Mariah Carey to give Madge sole ownership of the No. 2 spot on the all-time list of album No. 1s among female artists. Only Barbra Streisand, with eight, has more. "Hard Candy" moved 280,000 units its first week out.

And that’s not the only accomplishment for the pop great this week, as she also own the Hot Shot Debut title on The Billboard Hot 100 with new single "Give It 2 Me," which entered at No. 57, almost entirely on the strength of digital sales. The single moved 38,000 downloads to earn the No. 21 spot on Hot Digital Songs.

Over on Top Country Albums, it's the very reliable Tim McGraw who earns Hot Shot Debut stripes, as his "Greatest Hits: Limited Edition" starts at No. 1 with sales of 29,000. This is his 10th No. 1 on the chart. Meanwhile, "Kristofferson," the fifth single from McGraw’s latest studio set "Let It Go," is at No. 20 on Hot Country Songs.

Lyfe Jennings gets the Hot Shot Debut prize on Top R&B/Hip-Hop Albums with "Lyfe Change," which bows at No. 1. This is his second consecutive No. 1 on the chart. "Change" shifted 80,000 units on The Billboard 200 to grab the No. 4 position, Jennings' second bow in the top five.

Greatest Gainers: Marvin Sapp's "Thirsty" is the Greatest Gainer on Top R&B/Hip-Hop Albums as it climbs 11-8 with the help of a 50% sales increase. This is Sapp's first top 10 on the chart. Meanwhile, his single "Never Would Have Made It" marks its 32nd week atop Hot Gospel Songs and enters the history books: no song has ever reigned longer on any radio chart in Nielsen BDS history.

On Top Country Albums, Taylor Swift earns the Greatest Gainer trophy with her self-titled set, even as it holds steady in the No. 2 position. The album is in its 80th week on the chart.

But it's Natasha Bedingfield who is the greatest of the gainers this week, as she sews on Greatest Gainer stripes on The Billboard 200 and Greatest Gainer/Digital stripes on The Billboard Hot 100. The singer performed on the ever-helpful "American Idol" last week and watches her album "Pocketful of Sunshine" rocket 97-24 while her single of the same name jumps 19-8. The single moved 135,000 downloads, an increase of 110%, to put it at No. 4 on Hot Digital Songs. The album saw sales bounce 199%, to 19,000.

Meanwhile, Lil Wayne's "Lollipop" earns the Greatest Gainer/Airplay award on The Billboard Hot 100 even as the track holds steady at No. 2. The song, featuring Static Major, arrives at No. 1 on Hot 100 Airplay in just its seventh chart week, the fastest coronation since Alicia Keys' "No One" topped the list in seven frames in November.

Pacesetters: Ne-Yo sets the pace on Top R&B/Hip-Hop Albums with "Because of You," which moves 56-41 with the help of his latest single, "Closer." The song moves 54-41 on Hot R&B/Hip-Hop Songs. Although "Closer" comes from a new album not yet out, "Because of You" is reaping the rewards of the single's early success.

On Top Country Albums, it’s Alan Jackson who takes home the Pacesetter prize for "16 Biggest Hits," which steps 39-35 behind a 32% sales increase to 3,000. The album is in its 39th week. It debuted at No. 22 -- which remains its highest position -- in August 2007.

On The Billboard 200, Vicente Fernandez is the week's Pacesetter with "Para Siempre," which climbs 53-48 -- a new peak -- on the back of a 32% sales bump to 13,000. The album is in its 23rd week.

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Remy

Rapper Remy Ma has been sentenced to eight years in prison in the shooting a woman outside a Manhattan nightclub.

The state Supreme Court sentence was handed down today (May 13) to the 26-year-old rapper, whose real name is Remy Smith, for assault, weapon possession and attempted coercion.

Remy Ma, who could have faced up to 25 years in prison, was teary-eyed as she heard the sentence. She says last summer's shooting was an accident; an appeal is planned.

Correction officials say they called off her weekend wedding at the Rikers Island jail after the groom, fellow rapper Papoose, showed up with a handcuff key.

Remy Ma's lawyer, Ivan Fisher, denies the key could be used to unlock handcuffs and says the two still plan to wed.

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Slipknot

Nearly four years have passed since the release of Slipknot's "Vol. 3: (The Subliminal Verses)." But members of the masked metal act have little doubt that its as-yet-untitled fourth studio effort, tentatively due Aug. 12 via Roadrunner Records, will appease its loyal fans, the Maggots.

"It's going to rip your face off," Slipknot vocalist Corey Taylor tells Billboard.com with confidence. "I don't think the world will be ready for this album."

Declining to give an album title or song names, Taylor describes Slipknot's forthcoming set -- which is being recorded in the band's home state of Iowa -- as a "very dark" cross between "Vol. 3" and 2001's "Iowa." "It has so much power in it and yet there are so many great spots for melody," he explains. "It's a controlled chaos that hits you right out of the gate."

Lyrically, "Instead of bitching about what went wrong in my life, I'm bitching about what's wrong in life, period," Taylor says, noting that his vocals are much more melodic than before. "I got to the point where I was tired of pretending that I couldn't sing every time I made a Slipknot album, so this time I'm going all out."

After finishing its 2005 tour in support of "Vol. 3" -- which has moved 1.4 million units in the United States, according to Nielsen SoundScan -- some of Slipknot's nine members took a break from the band to focus on other musical projects. Taylor, who also fronts rock act Stone Sour, spent the next two-and-a-half years promoting the band's 2006 sophomore release, "Come What(ever) May."

"But the whole time we were doing the Stone Sour album, I was writing and figuring stuff out for the Slipknot album," Taylor recalls. "So when it came time to work this, I already had notebooks full of stuff and my own musical ideas."

Although Stone Sour is currently on hiatus while Taylor focuses on Slipknot, new material is currently being written for the band's next studio album, according to Taylor.

Meanwhile, Slipknot's time apart has given the act a new sense of musical confidence and maturity, Taylor observes. "I think we're all in way better places now," he says. "We're not afraid to speak up and say what we like and don't like. With that kind of confidence and maturity, you really get to explore different stuff."

Along with its new album, Slipknot will appear in "evolved" masks and uniforms, which Taylor describes as "not just a costume -- it's a way of life." The vocalist declined to give specifics, but says the freshened outfits are "very dark and will fit in everything image-wise that we're making with this album."

As previously reported, Slipknot will co-headline this summer's 30-date Rockstar Energy Drink Mayhem tour, which begins July 9 at the White River Amphitheatre in Auburn, Wash. For its daily set, the metal outfit will keep it "bare bones," Taylor says. "We'll definitely have some stuff with us, but it's all going to be building toward the concept of the new album dropping."

After its time on Mayhem ends in late August, Slipknot will likely take a month off before heading to Europe for a fall tour. "Then at the beginning of the year it's all headline from there," Taylor notes. "We'll probably do about a year of touring."

As for recording future Slipknot material, "We really want to do this album and then play it by ear," Taylor says. "It's a band that deserves every little bit of intensity that you have. If it gets to the point where you're not feeling it anymore, then you're just not feeling it anymore."

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Saturday, May 10, 2008

Mariah confirms marriage!

Singer Mariah Carey has confirmed in a US magazine interview that she has tied the knot with actor Nick Cannon.

"We really do feel we are soul mates - I never felt a love like this was in the cards for me," the 38-year-old told People magazine.
Carey confirmed the pair married on 30 April in the Bahamas following a whirlwind two-month romance.
The pop diva met Cannon, 27, while shooting the music video for her single Bye Bye.
"It was a love-at-first-sight thing. Since we've been together, we've been inseparable," Cannon told the magazine.
According to People, Cannon had proposed to the singer on the rooftop of her New York apartment building just five days before their wedding.

The singer dismissed reports their marriage was as last minute as reported: "One thing [few people] knew was we got tattoos a few weeks earlier. So anyone who saw my tattoo wasn't surprised," she said.
Talk show host Oprah Winfrey also revealed on a recent programme that Carey had showed her a tattoo on her back that said "Mrs Cannon".
At the ceremony, the groom wore a white suit by designer Balenciaga, while Carey wore an off-white dress by Nile Cmylo and Christian Louboutin shoes.
"I can wear high heels with Nick because he's tall. Flats are not in my repertoire," said Carey.
The pop star and Cannon were seen together at the premiere of her film Tennessee at the Tribeca Film Festival in New York last weekend, with the singer sporting a diamond ring.
It is the second marriage for Carey, who married Columbia Records executive Tommy Mottola in 1993, which ended in 1998.

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Gabriella Cilmi

"Gabriella Cilmi is a 16-year-old Australian who's already made a considerable mark with her appearance on Later... with Jools and the single Sweet About Me, where she tramps all over her own 'nice girl' image. Add to this support slots with Rufus Wainwright and Nouvelle Vague and various soundtrack appearances and it seems that Island records are saying they've found yet another 'soul' diva with a voice that's experienced way beyond her tender years. Doesn't it all sound a little too familiar?

But it really seems unfair to deny the talent on display here. The writing (usually shared between Gabriella and her production team) is sound and varied enough to keep you listening. The persona projected is suitably feisty, which suits her delivery. Only her attempt at the Martha and the Muffins classic, Echo Beach (recorded as the theme tune to the tv soap, and included here as a bonus) is best glossed over. In fact that's the best way to describe it, coming as it does with a gloss so high that it ceases to exist. Or maybe it's just uptempo numbers that she can't yet deal with. Terrifying is also a little hamfisted. She's best on the sultry 'classic soul'-styled numbers like Sanctuary or Safer. The production by Xenomania (Girls Aloud, Sugababes etc) is bright and bolshy - leaving plenty of space to let the impressive voice do its stuff. Cigarettes And Lies in particular is pitched just right with its scratchy blues-driven hooks.

The trouble may be in the timing. The voice is undoubtedly phenomenal. But blindfold someone and play them this back to back with Joss Stone, Amy Winehouse, Duffy and even Anastacia and they'll start to be a little confused. As is the way with a creative arena that's also an industry, labels are unimaginative in trying to force feed us too much of something a little too formulaic. This is a shame, for you sense that somewhere inside all this is a true talent and identity longing to escape, but being generically groomed to the point of extinction. If her management and record company could leave her alone for two or three years (and a real band of her own) this teenager may well become a force to reckon with.

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